{"next":"https://legacy-api.kexp.org/v1/play/?format=json&limit=20&offset=77480","previous":"https://legacy-api.kexp.org/v1/play/?format=json&limit=20&offset=77440","results":[{"playid":3574774,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:44:51Z","epoch_airdate":1762472691000,"epoch_airdate_v2":"/Date(1762472691000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1548719083,"name":"DJ Cam","islocal":false},"release":{"releaseid":1302446401,"name":"Offering 2: The Past, Present & Future of !K7","largeimageuri":"https://ia802903.us.archive.org/21/items/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3-29816128330_thumb500.jpg","smallimageuri":"https://dn721808.ca.archive.org/0/items/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3/mbid-fdee51cc-40b2-46bd-bbd9-c2c8682ae9d3-29816128330_thumb250.jpg"},"releaseevent":{"releaseeventid":1884685097,"year":1998},"track":{"trackid":1169757344,"name":"Bronx Theme"},"label":{"labelid":1704652351,"name":"!K7"},"comments":[{"commentid":602940670,"text":"\"Bronx Theme\" contains samples of 8 songs, including multiple elements of Wayne Shorter's \"Calm.\""}],"showid":65038},{"playid":3574773,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:41:55Z","epoch_airdate":1762472515000,"epoch_airdate_v2":"/Date(1762472515000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":174806322,"name":"Wayne Shorter","islocal":false},"release":{"releaseid":1369264623,"name":"Odyssey of Iska","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":757565611,"year":1971},"track":{"trackid":2079212137,"name":"Calm"},"label":{"labelid":815351423,"name":"Blue Note"},"comments":[{"commentid":148240552,"text":"\"Iska\" is the Hausa (Nigerian people) word for \"wind.\"\n--\nWayne Shorter was a practicing Buddhist for more than 50 years.  Here's The Buddhist Review's remembrance of the artist, who died in 2023: https://tricycle.org/article/wayne-shorter/"}],"showid":65038},{"playid":3574772,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:38:16Z","epoch_airdate":1762472296000,"epoch_airdate_v2":"/Date(1762472296000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":674055312,"name":"Boyz II Men","islocal":false},"release":{"releaseid":23796195,"name":"II","largeimageuri":"https://coverartarchive.org/release/a4274c33-cf5e-4e7d-8d35-e80340c5d8c1/5142947056-500.jpg","smallimageuri":"https://coverartarchive.org/release/a4274c33-cf5e-4e7d-8d35-e80340c5d8c1/5142947056-250.jpg"},"releaseevent":{"releaseeventid":2072962075,"year":1994},"track":{"trackid":915360241,"name":"Jezzebel"},"label":{"labelid":1768358272,"name":"Motown"},"comments":[{"commentid":1671141154,"text":"\"Jezzebel\" sampled Wayne Shorter's \"Speak No Evil.\"\n--\nCharles Farrar and Troy Taylor (The Characters) produced this album, Boyz II Men's third."}],"showid":65038},{"playid":3574771,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:36:03Z","epoch_airdate":1762472163000,"epoch_airdate_v2":"/Date(1762472163000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":174806322,"name":"Wayne Shorter","islocal":false},"release":{"releaseid":139597189,"name":"Speak No Evil","largeimageuri":"https://coverartarchive.org/release/2e2833d1-a6b0-48a4-aba0-4d5fc1a0c436/1042413435-500.jpg","smallimageuri":"https://coverartarchive.org/release/2e2833d1-a6b0-48a4-aba0-4d5fc1a0c436/1042413435-250.jpg"},"releaseevent":{"releaseeventid":1879711320,"year":1965},"track":{"trackid":1468493038,"name":"Speak No Evil"},"label":{"labelid":815351423,"name":"Blue Note"},"comments":[{"commentid":1846169522,"text":"That's Herbie Hancock on piano, Ron Carter on bass, Elvin Jones on drums, Freddie Hubbard on trumpet, and the incomparable Wayne Shorter on saxophone on his composition."}],"showid":65038},{"playid":3574770,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:30:54Z","epoch_airdate":1762471854000,"epoch_airdate_v2":"/Date(1762471854000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1232964224,"name":"Miles Davis Quintet","islocal":false},"release":{"releaseid":2002162438,"name":"Miles Smiles","largeimageuri":"https://coverartarchive.org/release/f26c8603-01dd-45cb-9c3e-84054e13bd28/933636070-500.jpg","smallimageuri":"https://coverartarchive.org/release/f26c8603-01dd-45cb-9c3e-84054e13bd28/933636070-250.jpg"},"releaseevent":{"releaseeventid":807334656,"year":1966},"track":{"trackid":939318168,"name":"Footprints"},"label":{"labelid":157175815,"name":"Columbia"},"comments":[{"commentid":2078368687,"text":"On October 24, 1966, trumpeter Miles Davis began the recording session for Miles Smiles, his sophomore album with his now-famous Second Great Quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. The album was famous for its captivating repertoire, with several of the tracks going on to become essentials of the Miles Davis canon. “Footprints,” a tune originally composed by Shorter and included on the saxophonist’s album Adam’s Apple, was an immediate standout."}],"showid":65038},{"playid":3574769,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:29:44Z","epoch_airdate":1762471784000,"epoch_airdate_v2":"/Date(1762471784000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1105633499,"name":"Ezra Collective","islocal":false},"release":{"releaseid":122792368,"name":"Blue Note Re:Imagined","largeimageuri":"https://dn710205.ca.archive.org/0/items/mbid-4e304494-012a-49ea-9892-9cea2311a5a7/mbid-4e304494-012a-49ea-9892-9cea2311a5a7-36778465550_thumb500.jpg","smallimageuri":"https://dn710205.ca.archive.org/0/items/mbid-4e304494-012a-49ea-9892-9cea2311a5a7/mbid-4e304494-012a-49ea-9892-9cea2311a5a7-36778465550_thumb250.jpg"},"releaseevent":{"releaseeventid":1893813348,"year":2020},"track":{"trackid":827910949,"name":"Footprints"},"label":{"labelid":842031128,"name":"Decca Records"},"comments":[{"commentid":859839165,"text":"London quintet Ezra Collective released their version of Wayne Shorter’s classic composition “Footprints,” which was originally recorded on the legendary saxophonist’s 1966 Blue Note album Adam’s Apple."}],"showid":65038},{"playid":3574768,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:28:25Z","epoch_airdate":1762471705000,"epoch_airdate_v2":"/Date(1762471705000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1366027760,"name":"Madlib","islocal":false},"release":{"releaseid":999184759,"name":"Shades of Blue","largeimageuri":"https://ia802309.us.archive.org/24/items/mbid-8c0935be-266f-485f-b465-c57ab13a67b3/mbid-8c0935be-266f-485f-b465-c57ab13a67b3-11056278771_thumb500.jpg","smallimageuri":"https://ia802309.us.archive.org/24/items/mbid-8c0935be-266f-485f-b465-c57ab13a67b3/mbid-8c0935be-266f-485f-b465-c57ab13a67b3-11056278771_thumb250.jpg"},"releaseevent":{"releaseeventid":480678401,"year":2003},"track":{"trackid":900236301,"name":"Footprints"},"label":{"labelid":815351423,"name":"Blue Note"},"comments":[{"commentid":1615455191,"text":"On \"Shades of Blue,' Madlib \"invades Blue Note\" to put his own twist on compositions from the 60's and 70's.: https://www.rapreviews.com/2003/08/madlib-shades-of-blue-madlib-invades-blue-note/"}],"showid":65038},{"playid":3574767,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:27:04Z","epoch_airdate":1762471624000,"epoch_airdate_v2":"/Date(1762471624000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1200846908,"name":"Lonnie Liston Smith & The Cosmic Echoes","islocal":false},"release":{"releaseid":128921350,"name":"Cosmic Funk","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":448700307,"year":1974},"track":{"trackid":1552712621,"name":"Footprints"},"label":{"labelid":2055702172,"name":"Flying Dutchman"},"comments":[{"commentid":776273657,"text":"\"Footprints\" is a cover of \"Footprints\" by Wayne Shorter."}],"showid":65038},{"playid":3574766,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:23:01Z","epoch_airdate":1762471381000,"epoch_airdate_v2":"/Date(1762471381000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":174806322,"name":"Wayne Shorter","islocal":false},"release":{"releaseid":1190907076,"name":"Adam’s Apple","largeimageuri":"https://coverartarchive.org/release/4edb0647-e195-4101-b496-0f949e14983b/32177355178-500.jpg","smallimageuri":"https://coverartarchive.org/release/4edb0647-e195-4101-b496-0f949e14983b/32177355178-250.jpg"},"releaseevent":{"releaseeventid":416388198,"year":1967},"track":{"trackid":1151280694,"name":"Footprints"},"label":{"labelid":815351423,"name":"Blue Note"},"comments":[{"commentid":2135510294,"text":"Wayne Shorter's composition \"Footprints\" first appeared on the 1966 post-bop album, \"Adam’s Apple,\" on which Shorter joined pianist Herbie Hancock, bassist Reggie Workman, and drummer Joe Chambers. \n--\nAnother version of Footprints forms the third track of Miles Davis’ 1967 album, \"Miles Smiles.\" That recording features Shorter with Miles Davis (trumpet), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums).\n--\nJazz commentator Rodney Franks offers the following description:\n\"Although occasionally mistaken for a waltz, the melody alternates between simple and compound time (6 over 8 and 4 over 4), while drum rhythm goes from three-over-two to two-over-two. In this context the 4 over 4 beat is known as “tresillo” in Afro-Cuban music and correlates to the twelve-over-eight timing. “Footprints” incorporates what is possibly the first use of systemic, African-based cross-rhythm. While taking the form of a 12-bar C-minor blues, the melody is actually written in C-Dorian, using A-sharp rather than A-flat.\""}],"showid":65038},{"playid":3574764,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:18:45Z","epoch_airdate":1762471125000,"epoch_airdate_v2":"/Date(1762471125000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":179102082,"name":"Portishead","islocal":false},"release":{"releaseid":981857632,"name":"Dummy","largeimageuri":"https://ia601604.us.archive.org/28/items/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd-829521842_thumb500.jpg","smallimageuri":"https://ia801604.us.archive.org/28/items/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd/mbid-76df3287-6cda-33eb-8e9a-044b5e15ffdd-829521842_thumb250.jpg"},"releaseevent":{"releaseeventid":498079716,"year":1994},"track":{"trackid":327671152,"name":"Strangers"},"label":{"labelid":1764361262,"name":"Go! Beat"},"comments":[{"commentid":354743375,"text":"\"Strangers\" contains samples of \"Elegant People\" by Weather Report, \"Wait Please\" by Eddie Harris and \"Magnificent Sanctuary Band\" by Donny Hathaway.\n--\nWatch Beth Gibbons and colleagues perform this one live: https://www.youtube.com/watch?v=HbSu2UM8kcQ"}],"showid":65038},{"playid":3574765,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:17:46Z","epoch_airdate":1762471066000,"epoch_airdate_v2":"/Date(1762471066000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":61953277,"name":"Weather Report","islocal":false},"release":{"releaseid":410217395,"name":"Black Market","largeimageuri":"https://coverartarchive.org/release/872f474a-e58e-4bae-ac51-89faaec80036/14739703412-500.jpg","smallimageuri":"https://coverartarchive.org/release/872f474a-e58e-4bae-ac51-89faaec80036/14739703412-250.jpg"},"releaseevent":{"releaseeventid":1253446311,"year":1976},"track":{"trackid":2115181360,"name":"Elegant People"},"label":{"labelid":157175815,"name":"Columbia"},"comments":[{"commentid":790947123,"text":"Wayne Shorter wrote and produced this song for Weather Report. \n\nWatch Weather Report in a live performance of \"Elegant People\" at Montreux in 1976: https://www.facebook.com/argonautadellamusica1/videos/weather-report-elegant-people-live-at-montreux-1976/2466182860171918/"}],"showid":65038},{"playid":3574763,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:12:21Z","epoch_airdate":1762470741000,"epoch_airdate_v2":"/Date(1762470741000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":15669701,"name":"Benny the Butcher, Lil Wayne, Big Sean","islocal":false},"release":{"releaseid":1742995981,"name":"Burden of Proof","largeimageuri":"https://coverartarchive.org/release/c33b4503-83ea-4f34-93cf-fc583d73f101/27532633600-500.jpg","smallimageuri":"https://coverartarchive.org/release/c33b4503-83ea-4f34-93cf-fc583d73f101/27532633600-250.jpg"},"releaseevent":{"releaseeventid":1893813348,"year":2020},"track":{"trackid":994943423,"name":"Timeless"},"label":{"labelid":1348735619,"name":"Griselda Records"},"comments":[{"commentid":1472591415,"text":"This 2020 track directly sampled the 1974 song from Weather report, \"Nubian Sundance.\""}],"showid":65038},{"playid":3574762,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:10:41Z","epoch_airdate":1762470641000,"epoch_airdate_v2":"/Date(1762470641000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":61953277,"name":"Weather Report","islocal":false},"release":{"releaseid":1935020257,"name":"Mysterious Traveller","largeimageuri":"https://coverartarchive.org/release/0e8235c5-961f-4c04-a20c-6bb5c29dc409/37580907989-500.jpg","smallimageuri":"https://coverartarchive.org/release/0e8235c5-961f-4c04-a20c-6bb5c29dc409/37580907989-250.jpg"},"releaseevent":{"releaseeventid":2068311763,"year":1974},"track":{"trackid":1903927583,"name":"Nubian Sundance (Live)"},"label":{"labelid":157175815,"name":"Columbia"},"comments":[{"commentid":410407130,"text":"The track is not a live track. It was improvised and composed in Joe Zawinul's home studio, then recorded in the studio with two drummers, two percussionists, and the triumvirate of founding Weather Report members Zawinul, Wayne Shorter, and Miroslav Vitous. \n\"It follows a style that will become familiar over time with Zawinul's compositions--a groove is slowly developed and floats its way around and through the various musicians, picking up steam as it goes until it has all the force of any rock and roll band. Yet the musicianship is much higher and the playing ultimately more interesting. They aren't noodling--Shorter's solos are so filled with melodic beauty, many could serve as inspiration for full-fledged compositions of their own.\": https://newdirectionsinmusic.substack.com/p/weather-reports-mysterious-traveller"}],"showid":65038},{"playid":3574761,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:07:01Z","epoch_airdate":1762470421000,"epoch_airdate_v2":"/Date(1762470421000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1870523819,"name":"Quincy Jones","islocal":false},"release":{"releaseid":444771381,"name":"Back on the Block","largeimageuri":"https://coverartarchive.org/release/1449b9f9-56c0-4177-92a7-ffcf0d204c16/39584391140-500.jpg","smallimageuri":"https://coverartarchive.org/release/1449b9f9-56c0-4177-92a7-ffcf0d204c16/39584391140-250.jpg"},"releaseevent":{"releaseeventid":1876446356,"year":1989},"track":{"trackid":77361178,"name":"Birdland"},"label":{"labelid":1871432853,"name":"Qwest Records"},"comments":[{"commentid":2045459177,"text":"Did you know that both Ella Fitzgerald and Sarah Vaughn were scatting on Quincy Jones' version of \"Birdland\"?  Oh, BTW, that's George Benson on guitar."}],"showid":65038},{"playid":3574760,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:05:49Z","epoch_airdate":1762470349000,"epoch_airdate_v2":"/Date(1762470349000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1175807322,"name":"The Manhattan Transfer","islocal":false},"release":{"releaseid":1529045334,"name":"Extensions","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":804761902,"year":1979},"track":{"trackid":1484742583,"name":"Birdland"},"label":{"labelid":1834846595,"name":"Atlantic"},"comments":[{"commentid":2118811322,"text":"Jon Hendricks wrote the lyrics for The Manhattan Transfer's version of Weather Report's \"Birdland.\""}],"showid":65038},{"playid":3574759,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T23:01:39Z","epoch_airdate":1762470099000,"epoch_airdate_v2":"/Date(1762470099000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1682851801,"name":"Group Home","islocal":false},"release":{"releaseid":2118301459,"name":"Livin’ Proof","largeimageuri":"https://coverartarchive.org/release/06463bd6-0a50-3b75-a532-d8fe8f7c78e5/1674497922-500.jpg","smallimageuri":"https://coverartarchive.org/release/06463bd6-0a50-3b75-a532-d8fe8f7c78e5/1674497922-250.jpg"},"releaseevent":{"releaseeventid":143695298,"year":1995},"track":{"trackid":637494554,"name":"Serious Rap Shit"},"label":{"labelid":237477856,"name":"Payday Records"},"comments":[{"commentid":865915185,"text":"\"Serious Rap Shit\" contains samples of \"Birdland\" by Weather Report, \"In Our Lifetime\" by Marvin Gaye, \"We Ain't Goin' Out Like That\" by Cypress Hill and \"Mass Appeal\" by Gang Starr.\n--\nThis song was produced by the late Keith Elam, Guru of Gang Starr: https://www.nytimes.com/2010/04/21/arts/music/21guru.html"}],"showid":65038},{"playid":3574756,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T22:58:02Z","epoch_airdate":1762469882000,"epoch_airdate_v2":"/Date(1762469882000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1167598469,"name":"Fresh Espresso","islocal":true},"release":{"releaseid":313257383,"name":"Glamour","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":309840384,"year":2009},"track":{"trackid":243462162,"name":"Diamond Pistols"},"label":{"labelid":1373432265,"name":"[no label]"},"comments":[{"commentid":832128010,"text":"Sampling multiple elements of Weather Report's \"Birdland\"..\n--\nSeattle's Fresh Espresso performed this Live in the KEXP Studio in 2009 -- https://youtu.be/N4aiav3eSjI"}],"showid":65038},{"playid":3574757,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T22:56:24Z","epoch_airdate":1762469784000,"epoch_airdate_v2":"/Date(1762469784000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":61953277,"name":"Weather Report","islocal":false},"release":{"releaseid":902038079,"name":"Heavy Weather","largeimageuri":"https://coverartarchive.org/release/3a20f3f8-9cd7-42cd-beaf-c270110fd7ea/6195610317-500.jpg","smallimageuri":"https://coverartarchive.org/release/3a20f3f8-9cd7-42cd-beaf-c270110fd7ea/6195610317-250.jpg"},"releaseevent":{"releaseeventid":56266616,"year":1977},"track":{"trackid":230128600,"name":"Birdland"},"label":null,"comments":[{"commentid":1238462233,"text":"Weather Report keyboaridst Joe Zawinul wrote this song as a tribute to the Birdland nightclub in New York City. This was the club, which he frequented almost daily, where Zawinul heard Count Basie,Louis Armstrong, Duke Ellington, and Miles Davis. \n--\n \"From Jaco Pastorius’ opening bass figure, “Birdland” bursts with the rare brand of effervescent joy known only to the likes of Stevie Wonder. I don’t care if you “don’t like jazz.” The infectious groove of this music percolates with undeniable happiness as Wayne Shorter’s saxophone yearns for the sky. No matter what challenges you face, this music is guaranteed to help keep your soul aloft.\": https://bit.ly/3eNDR4B"}],"showid":65038},{"playid":3574755,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-06T22:52:40Z","epoch_airdate":1762469560000,"epoch_airdate_v2":"/Date(1762469560000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65038},{"playid":3574754,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-06T22:45:52Z","epoch_airdate":1762469152000,"epoch_airdate_v2":"/Date(1762469152000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1424410575,"name":"Motorbass","islocal":false},"release":{"releaseid":1625226650,"name":"Pansoul","largeimageuri":"https://coverartarchive.org/release/af5e8c09-2d26-41ba-8df8-45507052b4f4/1376453235-500.jpg","smallimageuri":"https://coverartarchive.org/release/af5e8c09-2d26-41ba-8df8-45507052b4f4/1376453235-250.jpg"},"releaseevent":{"releaseeventid":1424936242,"year":1996},"track":{"trackid":352981208,"name":"Wan Dence"},"label":{"labelid":799836924,"name":"Astralwerks"},"comments":[{"commentid":396974769,"text":"\"Wan Dence\" contains samples of multiple elements \"It's the Engine in Me\" by Graham Central Station and Larry Graham, the hook in \"Infant Eyes\" by Wayne Shorter and the bass in  \"Three Little Words\" by Milt Jackson and John Coltrane.\n--\nMotorbass was a French House music duo consisting of Philippe Zdar (of Cassius) and Etienne de Crecy,\nR.I.P. Philippe Zdar, who tragically died in a fall in 2019: https://www.theguardian.com/music/2019/jun/20/cassius-philippe-zdar-dies-fall-paris-building-phoenix"}],"showid":65038}]}