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"text": "MFSB, officially standing for \"Mother Father Sister Brother\" was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up Harold Melvin & the Blue Notes, the O'Jays, the Stylistics, the Spinners, Wilson Pickett, and Billy Paul. \nMFSB formed in 1971 and disbanded in 1985, three years after Teddy Pendergrass' car accident, which left him paralyzed.\n\nThis is a 1981 edit of the MFSB classic."
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"text": "Released on this day in 1980!\n\nKurtis Walker (born August 9, 1959), professionally known by his stage name Kurtis Blow, is an American rapper, singer, songwriter, record/film producer, b-boy, DJ, public speaker and minister. He is the first commercially successful rapper and the first to sign with a major record label. \"The Breaks\", a single from his 1980 self-titled debut album, is the first certified gold record rap song for Hip Hop.\n\nThroughout his career he has released 15 albums and is currently an ordained minister. In 1979, at the age of twenty, Kurtis Blow became the first rapper to be signed by a major label, Mercury, which released \"Christmas Rappin'.\" \n\nHe performed as an actor and in music coordination in several feature films including Leon Kennedy’s \"Knights of the City\" and the hip hop film \"Krush Groove.\" He was host and co-producer for \"Das Leben Amerikanischer Gangs\" (1995), an international film production focusing on the West Coast gang scene.\n\nAs host and associate producer for Miramax’s \"Rhyme and Reason,\" he gave an informative account of the status of hip hop, while he participated in the three volume record release \"The History Of Rap\" for Rhino Records in 1998. Kurtis also co produced “Slippin, Ten Years With The Bloods” and won praises from Showtime for being the most viewed documentary in 2003. https://tinyurl.com/2wvb2ara"
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"text": "Originally released on Mayfield's 1972 classic \"Super Fly,\" and released as the soundtrack for the film of the same name. https://tinyurl.com/3hm94r7v\n\nSays Todd Mayfield, \"Somewhere between New York and Chicago, late 1971 – sitting on an airplane, the Super Fly script in his lap, Dad couldn’t stop the music from coming. 'Wow, was I so excited,' he said. 'I’d written a song just flying back home from New York. It took me hardly no time to prepare the songs and that’s how it began... I began writing immediately upon reading the script. I was making notes and coming up with the songs already. That was just a fantastic adventure for me.\" https://tinyurl.com/3nvfpjk6"
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"text": "Recorded over the two years before the album's original Japanese release, this album represents something of a return to Weller's musical roots, with \"Into Tomorrow\" and \"Uh Huh Oh Yeh\" in particular being heavily influenced by 60s R&B.\n\nAccording to Weller, \"'Uh Huh Oh Yeh' – and, after it, the Stanley Road album – was me revisiting my roots. I hadn't been down to Woking in a long time. That was the first time, in the early '90s, when I was finding my feet again.\"\n\nThe album as a whole retained some of the funk influences displayed by The Style Council, particularly on \"I Didn't Mean To Hurt You\" and \"Remember How We Started.\" However, the explicit political leanings of The Style Council are abandoned, with the lyrical themes visited on the album being much more personal. https://tinyurl.com/yc7h77wz"
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"text": "Kris Kristofferson, groundbreaking country music singer-songwriter and a Hollywood film and TV star, died Saturday at home in Maui, Hawaii. He was 88. \n\n“The title came from [producer and Monument Records founder] Fred Foster. He called one night and said, 'I’ve got a song title for you. It’s 'Me and Bobby McKee.' I thought he said 'McGee.' Bobby McKee was the secretary of Boudleaux Bryant, who was in the same building with Fred. Then Fred says, 'The hook is that Bobby McKee is a she. How does that grab you?' (Laughs) I said, 'Uh, I’ll try to write it, but I’ve never written a song on assignment.' So it took me a while to think about.\n\n\"The first time I heard Janis Joplin’s version was right after she died. Paul Rothchild, her producer, asked me to stop by his office and listen to this thing she had cut. Afterwards, I walked all over L.A., just in tears. I couldn’t listen to the song without really breaking up. So when I came back to Nashville, I went into the Combine [Publishing] building late at night, and I played it over and over again, so I could get used to it without breaking up. [Songwriter and keyboardist] Donnie Fritts came over and listened with me, and we wrote a song together that night about Janis, called 'Epitaph.'\" https://tinyurl.com/4bxc72z2"
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"text": "Released on September 28th, 1979!\n\n Blondie guitarist Chris Stein wrote the music for this song and came up with the line \"dreaming is free.\" Lead singer Debbie Harry would often write lyrics after hearing the tracks for the songs, and that's what she did here.\n\nHarry recalled to EW that this originated like many Blondie songs with Chris Stein coming up with \"a track or a feel\" and passing it on her. He told her, \"I was thinking 'Dreaming. Dreaming is free,\" and then Harry filled out the story line.\n\nThe recording of \"Dreaming\" captured Clem Burke's thunderous drumming in one take. Burke thinks producer Mike Chapman used reverse psychology on him. \n\n\"We were just running through the song and that's why I was playing so over-the-top on it,\" he told Mojo magazine. \"Then, after the take, Mike said that was it. It was quite surprising because it was the antithesis of his approach on Parallel Lines.\" https://tinyurl.com/4a957bdr"
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"text": "Amy Taylor shares, \"'Got You' is about that feeling you get when you first start seeing someone and you're excited to see them, no matter what shit they got. You just see them at the pub and it feels like the most exciting thing in the world, like you're so lucky they're even there. It's definitely one of the 'sweetest' songs on the album, and less punky.\n\n\"It was kind of inspired by Split Enz. We worked with Melbourne director Triana Hernandez for the video and we decided to make it less like a love song and more cheeky. We wanted to play with the power dynamics a bit and turn 'I got you' into 'I literally own you,' just to make it a bit more dark. It's obviously not a healthy relationship but that kind of thing is easy to slip into, too.\" https://tinyurl.com/24dfy8h7"
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"text": "Explaining the concept behind the single, Lambrini Girls shares, \"Tired of working twice as hard while white, middle-aged men get credit for your ideas? Afraid to report harassment? Constantly second-guessing to avoid conflict? If you’ve answered yes: you’re probably a woman or a queer person.\n\n\"If these challenges hold you back, it’s entirely your fault. And if you succeed, you’ll feel like a fraud. No matter how hard you work, you won’t be taken seriously. Your boss wants to shag you, HR thinks you’re hysterical - so maybe just shut the fuck up and smile. Many girls would kill for your position, stop complaining or it’s back to the kitchen. Welcome to the boys’ club.” https://tinyurl.com/ye23vrm5"
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"text": "Of this song, SPRINTS reveals, \"Pulling from our love of grunge and gothic, Feast is named as such because it explores the idea of gluttony, consumption and desire, particularly when it comes to sexuality and romance.\n\n\"In Ireland a lot of our first conscious experience of storytelling happens to be religious, due in most parts to the interlinking of our Catholic Church and state, particularly in education. The Bible stories and fables of good, bad, morality and sin were always pressed upon us. I thought it was interesting to use this iconography and imagery reimagined in a queer context.\n\n\"'Feast' is dark, gothic and sensual, encouraging us to unapologetically pursue our wants and desires.\" https://tinyurl.com/bdnmyk53"
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"text": "The album was composed, produced, arranged, and engineered by Nala Sinephro. \n\nA Caribbean-Belgian experimental jazz musician, Sinephro is currently based in London, where she predominantly plays the pedal harp, modular synthesiser, keyboards, and piano. She spent her childhood in Belgium, growing up on the outskirts of Brussels, near a forest. Her Belgian mother was a classical piano teacher and her Martiniquan/Guadeloupean father was a jazz saxophonist.\n\nDuring her teenage years, Sinephro developed a tumor in her jaw. The tumor's successful removal influenced a period of hedonistic living, with Sinephro frequenting Brussels-based clubs to seek out hardcore dance music.\n\nInitially interested in becoming a biochemist, she became interested in the harp, attended Berklee College of Music in Boston for one year, then dropped out after finding that her job as a sound engineer provided a more practical education. https://tinyurl.com/yurcb4mv"
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"text": "Karma is the ninth studio album by Canadian industrial/electronic music group Delerium.\n\nDelerium has traditionally been a two-person project, but the only constant member throughout its history has been Bill Leeb. Leeb was an early member of industrial music pioneers Skinny Puppy, but after he left in 1986 he went on to create his own project, Front Line Assembly, with collaborator Michael Balch. Later, the two worked on the side project Delerium and released their first album, Faces, Forms & Illusions. After Balch left both Front Line Assembly and Delerium, Leeb worked with Rhys Fulber, and the two released several albums under the Delerium moniker; these years saw a gradual stylistic change from darker ambient to a more danceable sound.\n\nGuest musicians on the album include Sarah McLachlan (\"Silence\"), Lisa Gerrard (\"Forgotten Worlds\"), Kristy Thirsk (\"Enchanted\", \"Lamentation\", \"Wisdom\", \"'Til The End Of Time\"), Jacqui Hunt (\"Euphoria (Firefly)\"), Greg Reely, and Camille Henderson (\"Duende\").\n\nThe album took around a year to record and assemble.\n\nGregorian chants were recorded especially for the project; according to Bill Leeb, it was less expensive to hire a 30-piece choir, rent a West-Vancouver church, move the equipment and record the chants live than to pay for the rights to sample existing recordings. https://tinyurl.com/26569yxk"
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"text": "Playing a DJ set on October 31st at the Vancouver Convention & Exhibition Centre; no Seattle date alas. https://tinyurl.com/2p3fc59b\n\nUK electronica legend Bonobo has been on the scene for more than two decades now, and continues to prove himself as one of the busiest and most accomplished artists in the electronic music space. He’s been nominated for seven Grammy Awards, tying The Chemical Brothers and Madonna for the most nominations in the Dance/Electronic Recording category. \n\nCheck out this exquisite in-studio session Simon and his friends performed for us live here at KEXP: https://tinyurl.com/3cmx4da5"
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"text": "Twigs first began teasing the album in January 2024 through a string of posts on her Discord.\n\nHaving relocated to Prague \"a couple summers\" prior, she fell in love with techno; while she explained that the album would not consist of that genre but would bear its \"spirit,\" and she described it as \"deep but not sad.\"\n\nTwigs further revealed that she had teamed up with electronic duo Two Shell who helped her craft the era from scratch after 85 of her demos were leaked in October 2023. https://tinyurl.com/3xc6f2za\n\nIn an interview with British Vogue in March 2024, she explained the meaning behind the word \"eusexua,\" saying that she came up with it to describe the \"sensation of being so euphoric\" that one could \"transcend human form.\""
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"text": "Join us for Taste of Iceland and the return of Reykjavik Calling on October 3, 2024! This year, KEXP and Taste of Iceland will host another free concert in our Gathering Space with Icelandic artists curated by Iceland Airwaves and KEXP DJ Kevin Cole: Sunna Margrét, Lúpína, and DJ Hermigervill.\n\nThis event will be first come, first served. If you are interested in joining, please note that our Gathering Space closes to the public and for event set up at 6pm on October 3rd. You are welcome to line up before the doors open to secure a spot.\n\nBorn in Iceland, Sunna Margrét took up music at an early age, it was the discovery of jazz music that opened up a new field of expression for her. On leaving her teens, she suddenly found herself traveling the world to play music. She later moved to Switzerland and began studying art. A change of life and environment, coupled with motherhood, encouraged her to create free-spirited music, bathed in varied aesthetic experiences but always imbued with a science of melody and curiosity.\n\nIn addition to her musical endeavours, Sunna Margrét is an accomplished visual artist who frequently marries her music and art. She sees art as a form of resistance and this motivated her to co-found DIY label No Salad Records. The label became a place to foster her own artistic visions and collaborations, presenting artists from different corners of the world, across a multitude of genres including avant-garde, electronic and post-punk. https://tinyurl.com/349fcuzu"
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"name": "Domino Recordings"
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{
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"text": "Out on November 1st, new album The Cleansing finds the former Only Ones frontman continuing to challenge himself, gathering a vast cast in the process. The 20-song tracklisting boasts a raft of guests, including Johnny Marr, Bobby Gillespie, Fontaines D.C.’s Carlos O’Connell, and more.\n\nWith a video from old friend Douglas Hart, it’s a beautiful introduction to this new chapter. \"I know some of the subject matter is death, suicide and depression,\" Perrett notes, \"but I feel there is an uplifting atmosphere to the album, because I’m obviously enjoying recognising what is going on around me.\"\n\nAlso on the album are his sons Jamie and Peter Jr., of whom he confides, \"Both of my kids were in Babyshambles for about three months. It was good experience for them but they were never going to last that long. They had different lifestyles to what was going on. They’d grown up seeing stuff like that from a very close perspective and have never been enamoured by that kind of lifestyle. They don’t think of it of romantic and glamorous at all; they just aren’t impressed by it.\" https://tinyurl.com/3dc67j33"
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"text": "Released on this day in 1997!\nLead singer Richard Ashcroft wrote the lyrics, which are a somber look at the ennui of everyday life: \"You're a slave to money, then you die.\"\n\nAt this point in his career, Ashcroft had learned that money and happiness were not synonymous. \"People have been sold a lottery dream in life that money solves everyone's problems,\" he shared. \"Suddenly you're looking at people and you're thinking, 'I know they need X but if I give X then that relationship that should have died years ago is going to carry on and spoil.' It opens up a myriad of things that you would never normally be thinking about, responsibilities on a new level.\"\n\nThe famous orchestral riff incorporates a sample from an obscure instrumental version of the 1965 Rolling Stones song \"The Last Time\" by Stones producer Andrew Loog Oldham, who included it on a 1966 album called The Rolling Stones Songbook (credited to The Andrew Oldham Orchestra).\n\nThe Verve got permission to use the six-second sample from Decca Records, which owned the Oldham recording, but they also needed permission from the publisher of \"The Last Time,\" something they didn't realize until after the album was completed. https://tinyurl.com/mrxz4cbm"
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