{"next":"https://legacy-api.kexp.org/v1/play/?limit=20&offset=60120","previous":"https://legacy-api.kexp.org/v1/play/?limit=20&offset=60080","results":[{"playid":3579045,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:40:04Z","epoch_airdate":1763340004000,"epoch_airdate_v2":"/Date(1763340004000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2017967632,"name":"The Replacements","islocal":false},"release":{"releaseid":1784850722,"name":"Let It Be","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":1746463644,"name":"Unsatisfied"},"label":null,"comments":[{"commentid":1680158607,"text":"Alternate Mix full-version\n\nThe Replacements' classic album Let It Be is getting a major Deluxe Edition reissue on November 21, 2025, featuring remastered tracks, unreleased studio outtakes, home demos, and a full, previously unheard live concert from the Cubby Bear in Chicago. This extensive release, available on 4LPs and 3CDs from Rhino Records, celebrates the album's legacy with bonus material from the 1984 era, including alternate versions and covers.\n\nThe collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and beautifully mastered, it finds the Minneapolis quartet charging through material from the not-yet-released album (“I Will Dare” and “Unsatisfied”), early favorites (“Color Me Impressed” and “Takin’ A Ride”), and characteristically offbeat covers “Help Me Rhonda/Little G.T.O.” (originally done by The Beach Boys/Ronny & The Daytonas) and “Can’t Get Enough” (Bad Company)."}],"showid":65128},{"playid":3579044,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:33:03Z","epoch_airdate":1763339583000,"epoch_airdate_v2":"/Date(1763339583000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2017967632,"name":"The Replacements","islocal":false},"release":{"releaseid":1784850722,"name":"Let It Be","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":1768666996,"name":"You're Getting Married"},"label":{"labelid":737267319,"name":"Rhino"},"comments":[{"commentid":1241057752,"text":"Live at City Garden 10\"\n\n4LP or 3CD versions of Let It Be (Deluxe Edition), plus a bonus 10-inch vinyl Live at City Garden, will be available exclusively at Rhino.com.  Rhino.com exclusive merch bundles include the 3CD alongside a T-Shirt, as well as the 4LP with a 10-inch and T-Shirt.\n\nThe six-song soundboard recording was made February 11 at one of the band’s favorite punk clubs in Trenton, NJ. One highlight is a rare performance of the ballad \"You’re Getting Married,\" a birthday request from the band’s original manager and Twin/Tone co-founder Peter Jesperson, who co-produced the 1984 album, as well as this Deluxe Edition with Rhino's Jason Jones.\n\nWesterberg altered the lyrics mid-song, delivering them to a punk crowd Jesperson feared \"might eat him alive\"—but didn’t.\n\n\"In all of The Replacements’ lore,\" he says, \"I think this is one of the greatest moments ever.\""}],"showid":65128},{"playid":3579043,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-17T00:27:11Z","epoch_airdate":1763339231000,"epoch_airdate_v2":"/Date(1763339231000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65128},{"playid":3579042,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:23:33Z","epoch_airdate":1763339013000,"epoch_airdate_v2":"/Date(1763339013000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1834676515,"name":"FKA twigs","islocal":false},"release":{"releaseid":1470395052,"name":"EUSEXUA Afterglow","largeimageuri":"https://dn721801.ca.archive.org/0/items/mbid-82de62c3-dbaf-45e9-9787-5bcc99d75d73/mbid-82de62c3-dbaf-45e9-9787-5bcc99d75d73-43569384309_thumb500.jpg","smallimageuri":"https://dn721801.ca.archive.org/0/items/mbid-82de62c3-dbaf-45e9-9787-5bcc99d75d73/mbid-82de62c3-dbaf-45e9-9787-5bcc99d75d73-43569384309_thumb250.jpg"},"releaseevent":{"releaseeventid":1559706829,"year":2025},"track":{"trackid":1652793364,"name":"Love Crimes"},"label":{"labelid":1834846595,"name":"Atlantic"},"comments":[{"commentid":511809994,"text":"Eusexua Afterglow (stylised as EUSEXUA Afterglow) is the fourth studio album by the English singer FKA Twigs. \n\nInitially conceived as a deluxe edition of Eusexua (2025), the album eventually evolved to a standalone work as a sequel to Twigs' previous album, containing a standalone track listing.\n\nAccording to a press release, FKA Twigs created the word \"Eusexua\" to \"describe the nothingness and focus one feels in the moments leading up to an orgasm,\" and the album \"expands on the feelings that come after experiencing Eusexua, transmuting them into a soundtrack for the hours after the rave and extending that high into the afters.\" https://tinyurl.com/urbstwv3"}],"showid":65128},{"playid":3579040,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:20:50Z","epoch_airdate":1763338850000,"epoch_airdate_v2":"/Date(1763338850000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":765606784,"name":"Sampa the Great feat. Mwanjé","islocal":false},"release":{"releaseid":1140002855,"name":"Can’t Hold Us","largeimageuri":"https://dn721907.ca.archive.org/0/items/mbid-2790e713-52d3-4d74-8458-30173f58e290/mbid-2790e713-52d3-4d74-8458-30173f58e290-43560029517_thumb500.jpg","smallimageuri":"https://dn721907.ca.archive.org/0/items/mbid-2790e713-52d3-4d74-8458-30173f58e290/mbid-2790e713-52d3-4d74-8458-30173f58e290-43560029517_thumb250.jpg"},"releaseevent":{"releaseeventid":1559706829,"year":2025},"track":{"trackid":556386380,"name":"Can’t Hold Us"},"label":{"labelid":1591889000,"name":"Loma Vista Recordings"},"comments":[{"commentid":1638893435,"text":"Sampa the Great has dropped new single, \"Can't Hold Us,\" the track is available via Loma Vista Recordings, and marks the beginning of a new direction for the musician and rapper.\n\nThe track will also be is included in EAFC 26 and will be dropped into in-game playlists.\n\n\"Zamrock is my sound,\" she says. \"It’s my voice. Being Zambian, being loud, being defiant — that’s what Zamrock is.\n\n\"This is the declaration track. I’m saying: I’ve stepped into my power, into my sound, into my purpose. I’ve claimed this thing — Nu Zamrock — as something of my own, something I’m shaping in real time. And in this new form, with this much clarity and drive? You can’t hold us. You can’t stop us. Not anymore.\" https://tinyurl.com/mv66jusk"}],"showid":65128},{"playid":3579038,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:16:58Z","epoch_airdate":1763338618000,"epoch_airdate_v2":"/Date(1763338618000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1707865158,"name":"DJ Seinfeld & Confidence Man","islocal":false},"release":{"releaseid":1464700408,"name":"The Right","largeimageuri":"https://dn721905.ca.archive.org/0/items/mbid-09223957-2268-4d4e-86cc-bc46b3a6e1a6/mbid-09223957-2268-4d4e-86cc-bc46b3a6e1a6-43258740868_thumb500.jpg","smallimageuri":"https://dn721905.ca.archive.org/0/items/mbid-09223957-2268-4d4e-86cc-bc46b3a6e1a6/mbid-09223957-2268-4d4e-86cc-bc46b3a6e1a6-43258740868_thumb250.jpg"},"releaseevent":{"releaseeventid":671660164,"year":2025},"track":{"trackid":962001961,"name":"The Right"},"label":{"labelid":1617240999,"name":"Ninja Tune"},"comments":[{"commentid":593654150,"text":"\"The Right\" finally arrives two years after the DJ Seinfeld x Con Man viral summer anthem \"Now U Do,\" released in July 2023. \n\nSurpassing over 50 million streams and landing a spot on the BBC Radio 1 A-List, \"Now U Do\" was an unexpected collaboration that has since come to feel like a natural fit.\n\n\"Everyone said this couldn’t be done, but we did it. We’re back,\" Seinfeld comments. \"And now your dad listens to DJ Seinfeld x Con Man. You’re welcome.\"\n\n\"If it’s nice, do it twice. Hell, do it more if that’s what you’re into,\" Confidence Man adds on their collaborative return. \"We always knew we’d be back for the sequel and when it sounds this good, can you blame us? It’s a hit. Get over it. Con Man x DJ Seinfeld: tried and tested.\" https://tinyurl.com/2p9sswt9"}],"showid":65128},{"playid":3579036,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:14:00Z","epoch_airdate":1763338440000,"epoch_airdate_v2":"/Date(1763338440000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":330741281,"name":"KNEECAP & Paul Hartnoll","islocal":false},"release":{"releaseid":647004376,"name":"Sayōnara","largeimageuri":"https://ia800900.us.archive.org/16/items/mbid-fc1a9b4c-b4e6-4f0d-9b23-7e3226a77b39/mbid-fc1a9b4c-b4e6-4f0d-9b23-7e3226a77b39-42928233137_thumb500.jpg","smallimageuri":"https://ia800900.us.archive.org/16/items/mbid-fc1a9b4c-b4e6-4f0d-9b23-7e3226a77b39/mbid-fc1a9b4c-b4e6-4f0d-9b23-7e3226a77b39-42928233137_thumb250.jpg"},"releaseevent":{"releaseeventid":892585831,"year":2025},"track":{"trackid":774208597,"name":"Sayōnara"},"label":{"labelid":1422238402,"name":"Heavenly Recordings"},"comments":[{"commentid":1253324021,"text":"Kneecap had it in their heads that they wanted to make a proper 100% rave festival banger. A few days in the studio with one of the masters of that art form - Orbital's Paul Hartnoll - and the Belfast (and Derry) three piece emerge with an absolute classic of the genre - a mind pounding, drum heavy, relentless club monster of a single.\n\n\"Having worked on the Orbital track Belfast for the fantastic Kneecap film, I was delighted to be asked by the lads to help them make a rave festival banger. They loved the track and did it proud with their lyrics - it was all so easy and natural, just as a good collaboration should be. Hopefully, you’ll be lucky enough to be in a field this summer and hear it in its natural habitat , big , loud, and unashamed!\" https://tinyurl.com/4vm6rfae"}],"showid":65128},{"playid":3579034,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:10:26Z","epoch_airdate":1763338226000,"epoch_airdate_v2":"/Date(1763338226000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1302326376,"name":"Chalk","islocal":false},"release":{"releaseid":749194234,"name":"Can’t Feel It","largeimageuri":"https://ia801005.us.archive.org/24/items/mbid-7602e790-eaac-49a6-a1be-67a826937b3d/mbid-7602e790-eaac-49a6-a1be-67a826937b3d-43365465798_thumb500.jpg","smallimageuri":"https://ia801005.us.archive.org/24/items/mbid-7602e790-eaac-49a6-a1be-67a826937b3d/mbid-7602e790-eaac-49a6-a1be-67a826937b3d-43365465798_thumb250.jpg"},"releaseevent":{"releaseeventid":1904750465,"year":2025},"track":{"trackid":813662106,"name":"Can’t Feel It"},"label":{"labelid":208717263,"name":"ALTER Music"},"comments":[{"commentid":1254465147,"text":"This Belfast project is the lovechild of  award-winning musicians and filmmaker duo Ross Cullen and Benedict Goddard. An informed mix of Dublin's Guitar Band scene and the sweaty hardcore dance floors of their native Belfast, Chalk are IDLES meets Daniel Avery, Death Grips meets Bicep - techno-infused industrial punk.\n\nThis track not only features heartbreaking lyrics, but a stunningly jaw-dropping video co-directed by Goddard, which you can enjoy here: https://tinyurl.com/2jxx96wy\n\nChalk were just in KEXP's studio for a blistering performance; keep your eyes peeled for their video in a few weeks!"}],"showid":65128},{"playid":3579032,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:05:51Z","epoch_airdate":1763337951000,"epoch_airdate_v2":"/Date(1763337951000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":285776660,"name":"The Cure","islocal":false},"release":{"releaseid":377486885,"name":"Songs of a Lost World","largeimageuri":"https://ia800804.us.archive.org/18/items/mbid-8747eccc-8c1b-46c2-8e5b-cfbd2e2a9543/mbid-8747eccc-8c1b-46c2-8e5b-cfbd2e2a9543-40466969915_thumb500.jpg","smallimageuri":"https://dn710100.ca.archive.org/0/items/mbid-8747eccc-8c1b-46c2-8e5b-cfbd2e2a9543/mbid-8747eccc-8c1b-46c2-8e5b-cfbd2e2a9543-40466969915_thumb250.jpg"},"releaseevent":{"releaseeventid":635175112,"year":2024},"track":{"trackid":668295298,"name":"A Fragile Thing"},"label":{"labelid":220156763,"name":"Polydor"},"comments":[{"commentid":636224654,"text":"Off the Cure's highly anticipated album \"Songs of a Lost World,\" Robert Smith has revealed, \"It’s very much on the darker side of the spectrum. I lost my mother and my father and my brother recently, and obviously it had an effect on me.\n\n\"It’s not relentlessly doom and gloom. It has soundscapes on it, like 'Disintegration,' I suppose. I was trying to create a big palette, a big wash of sound.\n\n\"Before, I used to write about stuff that I thought I understood. Now I know I understand it. The lyrics I’ve been writing for this album, for me personally, are more true. They’re more honest. That’s probably why the album itself is a little bit more doom and gloom. I feel I want to do something that expresses the darker side of what I’ve experienced over the last few years – but in a way that will engage people.\" https://tinyurl.com/mttb87sz"}],"showid":65128},{"playid":3579030,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-17T00:03:05Z","epoch_airdate":1763337785000,"epoch_airdate_v2":"/Date(1763337785000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":288077046,"name":"Ischariotzcky","islocal":false},"release":null,"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":755502827,"name":"The Only Thing I Do"},"label":null,"comments":[{"commentid":1288616569,"text":"World Premiere!!!\n\nAccording to the band, \"The Only Thing I do\" is about the concept \"if there's any point in our lives when we could experience a completely new beginning, without any burden from the past.\"\n\nIschariotzcky is an indie pop band from Croatia formed in 2017 by singer, songwriter and producer Joško Klarić. Their first single \"Perfect sky\", released in 2017 was a starting point of their music career. In 2018, they released their debut album \"Recovery\" and immediately started to play shows around the region, sharing the main stage with Queens of the Stone Age, Nick Cave, Alice in Chains, St. Vincent et al., concluding with Let's Rock festival in Šibenik in 2020. During the pandemic, they released five new singes outside the album.\n\nThe name \"Ischariotzcky\" comes from the Croatian pronunciation of the surname of the biblical figure Judas Iscariot, which in Croatia pronounced Iškariotski. The name is there to constantly remind us of betrayal, or to ask ourselves whether there is a person we love and have never betrayed somehow? https://tinyurl.com/2e5ky4pm"}],"showid":65128},{"playid":3579029,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-17T00:01:13Z","epoch_airdate":1763337673000,"epoch_airdate_v2":"/Date(1763337673000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65128},{"playid":3579028,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:57:46Z","epoch_airdate":1763337466000,"epoch_airdate_v2":"/Date(1763337466000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":186846736,"name":"Geese","islocal":false},"release":{"releaseid":810534620,"name":"Getting Killed","largeimageuri":"https://dn710003.ca.archive.org/0/items/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb-42446231661_thumb500.jpg","smallimageuri":"https://dn710003.ca.archive.org/0/items/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb-42446231661_thumb250.jpg"},"releaseevent":{"releaseeventid":258601473,"year":2025},"track":{"trackid":848397798,"name":"Taxes"},"label":{"labelid":774182765,"name":"Partisan Records"},"comments":[{"commentid":530627285,"text":"From Geese’s new album, Getting Killed. The album is available digitally and on CD: https://tinyurl.com/2w5z538z\n\nOn a recent press junket for the film Steve, actor Cillian Murphy was asked what band recommendation he might offer. Murphy mulled for a second and responded, \"I'll say this band because my son went to see them last night. A band called Geese. \"He’s obsessed with them and has gotten me obsessed. Their frontman, Cameron Winter, also put out an amazing record this year. So that’s my top tip.\" https://tinyurl.com/mru7u4nx\n\nWatch Geese’s live performance on KEXP, recorded at THING Festival at Fort Warden in Port Townsend, Washington in 2023: https://tinyurl.com/64cny33f"}],"showid":65128},{"playid":3579024,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:54:22Z","epoch_airdate":1763337262000,"epoch_airdate_v2":"/Date(1763337262000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":261764931,"name":"Gibraltar","islocal":false},"release":{"releaseid":853495866,"name":"Modern Mischief","largeimageuri":"https://coverartarchive.org/release/a4ccbf14-cf27-42e9-9bbc-fa3b0e5bd646/43004179623-500.jpg","smallimageuri":"https://coverartarchive.org/release/a4ccbf14-cf27-42e9-9bbc-fa3b0e5bd646/43004179623-250.jpg"},"releaseevent":{"releaseeventid":609155581,"year":2021},"track":{"trackid":1385993083,"name":"Big Rift"},"label":{"labelid":101932241,"name":"Factory Belt Records"},"comments":[{"commentid":833302910,"text":"Gibraltar is a Seattle-based rock band formed by musician Aaron Starkey (also of Spanish for 100), known for their melodic, sometimes moody sound, releasing EPs like \"Storms\" and \"Elegant Alibis,\" and featuring Starkey's distinctive guitar work and vocals.\n\nStarkey is also a tech professional involved with Bumbershoot and Factory Belt Productions, but his primary musical focus with Gibraltar blends rock with art and technology."}],"showid":65128},{"playid":3579025,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-16T23:52:09Z","epoch_airdate":1763337129000,"epoch_airdate_v2":"/Date(1763337129000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65128},{"playid":3579023,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:49:48Z","epoch_airdate":1763336988000,"epoch_airdate_v2":"/Date(1763336988000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2017967632,"name":"The Replacements","islocal":false},"release":{"releaseid":1784850722,"name":"Let It Be","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":518837915,"name":"Perfectly Lethal"},"label":null,"comments":[{"commentid":2009720132,"text":"On the podcast, Rockin' the Suburbs, Erik Didriksen remarks, \"Only a band of this caliber could possibly leave a song like this on the cutting room floor.\n\n\"'Perfectly Lethal' would’ve been a perfectly good addition to Let It Be or any Replacements album. It’s almost a classic template: Paul’s chiming guitar in perfect counterpoint with Bob’s sliding, crunchy riffs, under lyrics that celebrate getting up and away from your television.\" https://tinyurl.com/2hd9mhyu"}],"showid":65128},{"playid":3579022,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:46:42Z","epoch_airdate":1763336802000,"epoch_airdate_v2":"/Date(1763336802000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2017967632,"name":"The Replacements","islocal":false},"release":{"releaseid":1784850722,"name":"Let It Be","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":1563253717,"name":"I Will Dare"},"label":null,"comments":[{"commentid":1242811187,"text":"The Replacements' classic album Let It Be is getting a major Deluxe Edition reissue on November 21, 2025, featuring remastered tracks, unreleased studio outtakes, home demos, and a full, previously unheard live concert from the Cubby Bear in Chicago. This extensive release, available on 4LPs and 3CDs from Rhino Records, celebrates the album's legacy with bonus material from the 1984 era, including alternate versions and covers, with many retailers offering special events and listening parties around the release date. \n\nLet It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings.\n\nThe set gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of “Gary’s Got A Boner” and “Favorite Thing,” as well as previously unreleased outtakes \"Who’s Gonna Take Us Alive” and “Street Girl.” All five bonus tracks from 2008’s Let It Be (Expanded Edition) are included here, newly remastered for this set. \n\nThe collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and newly remastered, it finds the Minneapolis quartet charging through material from the not-yet-released album (\"I Will Dare\" and \"Unsatisfied\"), early favorites (\"Color Me Impressed\" and \"Takin’ A Ride\"), and characteristically offbeat covers \"Help Me Rhonda/Little G.T.O.\" (originally done by The Beach Boys/Ronny & The Daytonas) and “Can’t Get Enough” (Bad Company).\n\nLive at City Gardens is a six-song soundboard recording made February 11, 1984 at one of the band’s favorite punk clubs in Trenton, NJ.\n\nOne highlight is a rare performance of the ballad \"You’re Getting Married,\" a birthday request from the band’s original manager and Twin/Tone co-founder Peter Jesperson, who co-produced the 1984 album, as well as this Deluxe Edition. Westerberg altered the lyrics mid-song, delivering them to a punk crowd Jesperson feared \"might eat him alive\"—but didn’t. \"In all of The Replacements’ lore,\" he says, \"I think this is one of the greatest moments ever.\" https://tinyurl.com/ytfnmm87"}],"showid":65128},{"playid":3579021,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-16T23:41:21Z","epoch_airdate":1763336481000,"epoch_airdate_v2":"/Date(1763336481000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65128},{"playid":3579020,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:36:32Z","epoch_airdate":1763336192000,"epoch_airdate_v2":"/Date(1763336192000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2088833627,"name":"The Jimi Hendrix Experience","islocal":false},"release":{"releaseid":1626700069,"name":"Electric Ladyland","largeimageuri":"https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-500.jpg","smallimageuri":"https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-250.jpg"},"releaseevent":{"releaseeventid":249853819,"year":1968},"track":{"trackid":2690318,"name":"Voodoo Child"},"label":{"labelid":1550158415,"name":"Purple Haze Records"},"comments":[{"commentid":913841815,"text":"On this day in 1968, The Jimi Hendrix Experience had the No.1 album in the U.S. with their third and final studio album, Electric Ladyland.  A double album, it was the only record from the Experience with production solely credited to Hendrix. It was the band's most commercially successful release, and its only number one album.\n\nHendrix was famous for his studio perfectionism; he and drummer Mitch Mitchell recorded over 50 takes of \"Gypsy Eyes\" over three sessions.  He was insecure about his voice and often recorded his vocals hidden behind studio screens, and sang backing vocals himself on the title track and on \"Long Hot Summer Night.\" As recording progressed, producer Chas Chandler became frustrated with Hendrix's perfectionism and demands for repeated takes.\n\nHendrix allowed friends and guests to join them in the studio, which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix. Bassist Noel Redding recalled: \"There were tons of people in the studio; you couldn't move. It was a party, not a session.\" https://tinyurl.com/3r7mtms6"}],"showid":65128},{"playid":3579019,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:31:38Z","epoch_airdate":1763335898000,"epoch_airdate_v2":"/Date(1763335898000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1894420260,"name":"Cocteau Twins","islocal":false},"release":{"releaseid":608221789,"name":"Tiny Dynamine","largeimageuri":"https://ia904503.us.archive.org/24/items/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a-7946212058_thumb500.jpg","smallimageuri":"https://ia904503.us.archive.org/24/items/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a-7946212058_thumb250.jpg"},"releaseevent":{"releaseeventid":997510191,"year":1985},"track":{"trackid":1336493540,"name":"Pink Orange Red"},"label":{"labelid":1620767689,"name":"4AD"},"comments":[{"commentid":372754457,"text":"Released \"yesterday\" (November 15th) in 1985!\n\nSimon Raymond confides, \"\"I don't really think of us as songwriters. In the traditional sense, they're not songs at all. Songwriters, to me, mean people who sit down with an acoustic guitar and piano, methodically working out the right chords, what words go with these chords, fitting it all in.\n\n\"We don't work like that. It's usually, turn the tape recorder on and hopefully, in ten minutes, we have something. Then Liz will come down, listen, and sing. It's not like songwriting, it's music.\" https://tinyurl.com/mr2tt8x4"}],"showid":65128},{"playid":3579017,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:28:15Z","epoch_airdate":1763335695000,"epoch_airdate_v2":"/Date(1763335695000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1495128265,"name":"Jay Som feat. Jim Adkins","islocal":false},"release":{"releaseid":787441809,"name":"Belong","largeimageuri":"https://dn710009.ca.archive.org/0/items/mbid-29667075-9351-419e-b9be-f6f608cebf98/mbid-29667075-9351-419e-b9be-f6f608cebf98-42454738066_thumb500.jpg","smallimageuri":"https://dn710009.ca.archive.org/0/items/mbid-29667075-9351-419e-b9be-f6f608cebf98/mbid-29667075-9351-419e-b9be-f6f608cebf98-42454738066_thumb250.jpg"},"releaseevent":{"releaseeventid":671660164,"year":2025},"track":{"trackid":1815685733,"name":"Float"},"label":{"labelid":210762960,"name":"Polyvinyl"},"comments":[{"commentid":2098112768,"text":"On this track, Jay Som (a.k.a. songwriter and producer Melina Duterte) worked with Jim Adkins of Jimmy Eat World, while other guests on Duterte’s first project in six years include Hayley Williams and Mini Trees’ Lexi Vega.\n\nOf \"Float,\" Duterte reveals, \"This song is about desperately trying to hold on to past versions of yourself for self preservation. The fear of the unknown is so overwhelming that sometimes the best solution is to sit with it instead of fighting or running from it.\"\n\nAdkins adds, \"Melina is an absolute professional in all aspects of music creation. I am honored she had space in her vision for me to contribute. And it was a lot of fun to work on!\" https://tinyurl.com/mt2489cy"}],"showid":65128}]}